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Genre=Mystery Lily Knight, Jennifer Ehle Rose Glass 7,4 of 10 Story=Saint Maud is a movie starring Morfydd Clark, Jennifer Ehle, and Lily Knight. Follows a pious nurse who becomes dangerously obsessed with saving the soul of her dying patient 2019. Free full saint maude. Free Full Saint maude. Saint Maud Directed by Rose Glass Produced by Andrea Cornwell Oliver Kassman Written by Rose Glass Starring Morfydd Clark Jennifer Ehle Music by Adam Janota Bzowski Cinematography Ben Fordesman Edited by Mark Towns Production companies Escape Plan Productions Film4 Productions British Film Institute Distributed by StudioCanal Release date 8 September 2019 ( TIFF) 10 April 2020 (US) 1 May 2020 (UK) Running time 83 minutes [1] Country United Kingdom Language English Saint Maud is a 2019 British psychological horror film written and directed by Rose Glass in her feature directorial debut. The story follows hospice nurse Maud (portrayed by Morfydd Clark), a recent convert to Roman Catholicism who fears that she may be possessed when she becomes infatuated with a former dancer in her care ( Jennifer Ehle). It had its world premiere at the Toronto International Film Festival on 8 September 2019. It is scheduled to be released in the United Kingdom on 1 May 2020 by StudioCanal. Cast [ edit] Morfydd Clark as Maud Jennifer Ehle as Amanda Lily Knight as Joy Lily Frazer as Carol Turlough Convery as Christian Rosie Sansom as Ester Marcus Hutton as Richard Carl Prekopp as Homeless Pat Noa Bodner as Hilary Production [ edit] The film was developed by Escape Plan Productions with funding from Film4. In November 2018, it was announced Clark and Ehle had joined the cast of the film, with Glass directing from her own screenplay. [2] The film was fully financed by Film4 Productions and the British Film Institute. Release [ edit] The film had its world premiere at the Toronto International Film Festival on 8 September 2019. [3] [4] Shortly after, A24 acquired U. S. and StudioCanal U. K. distribution rights to the film. [5] [6] It also screened at Fantastic Fest on 19 September 2019, [7] and the BFI London Film Festival on 5 October 2019. [8] The film went on to receive a Special Commendation in the Official Competition section of the London Film Festival, with the jury president, Wash Westmoreland, saying “This dazzling directorial debut marks the emergence of a powerful new voice in British cinema. ” [9] It is scheduled to be released in the United States on 10 April 2020, [10] and the United Kingdom on 1 May 2020. [11] Reception [ edit] Awarding Glass the IWC film bursary, the director Danny Boyle described Saint Maud as "a genuinely unsettling and intriguing film. Striking, affecting and mordantly funny at times, its confidence evokes the ecstasy of films like Carrie, The Exorcist, and Jonathan Glazer’s Under the Skin. " [12] Katie Rife of The A. V. Club gave the film a grade of "B+", saying that the finale was shocking. [13] The review aggregator website Rotten Tomatoes reports that 92% of critics have given the film a positive review based on 22 reviews, with an average rating of 7. 87/10. The site's critics consensus reads: "A brilliantly unsettling blend of body horror and psychological thriller, Saint Maud marks an impressive debut for writer-director Rose Glass. " [14] On Metacritic, the film has a weighted average score of 76 out of 100 based on 5 critics, indicating "generally favorable reviews". [15] References [ edit] ^ "Saint Maud". Toronto International Film Festival. Retrieved 19 September 2019. ^ "Rose Glass' Saint Maud starring Morfydd Clark & Jennifer Ehle starts shooting". Channel 4. 19 November 2018. Retrieved 19 September 2019. ^ Erbland, Kate (8 August 2019). "TIFF 2019 Announces Docs and Midnight Madness Slates, With Films From Alex Gibney and Takashi Miike". IndieWire. Retrieved 19 September 2019. ^ D'Alessandro, Anthony (16 September 2019). "A24 Picks Up TIFF Midnight Madness Pic 'Saint Maud ' ". Deadline Hollywood. Retrieved 19 September 2019. ^ Wiseman, Andreas (20 September 2019). "Toronto Hit 'Saint Maud' Closes UK & France Deals For Protagonist". Retrieved 20 September 2019. ^ "Saint Maud". Fantastic Fest. Retrieved 19 September 2019. ^ "Saint Maud". BFI London Film Festival. Retrieved 19 September 2019. ^ "Monos, Atlantics and White Riot among prize winners at LFF 2019". What's Worth Seeing. 12 October 2019. Retrieved 13 October 2019. ^ Lattanzio, Ryan (December 17, 2019). " ' Saint Maud' Trailer: A24's Latest Horror Evokes 'The Exorcist, ' 'Carrie, ' and 'Under the Skin ' ". Retrieved December 17, 2019. ^ "Saint Maud". Launching Films. Retrieved December 17, 2019. ^ "Saint Maud Director Rose Glass wins £50, 000 film bursary". 1 October 2019. Retrieved 1 October 2019. ^ Rife, Katie (October 2, 2019). "Celebrated Auteurs, Freddy Krueger Drag, and Exploding Eyeballs: The Best of Fantastic Fest 2019". The A. Club. Retrieved December 17, 2019. ^ "Saint Maud (2020)". Rotten Tomatoes. Fandango. Retrieved 22 December 2019. ^ "Saint Maud Reviews". Metacritic. CBS Interactive. Retrieved 22 December 2019. External links [ edit] Official website Saint Maud on IMDb Saint Maud at Rotten Tomatoes Saint Maud at Metacritic.

Free Full Saint maud newton. Free full saint maud movie. Okay this is not really where I thought this movie would be going based on the thumbnail, but it looks really good! Cant wait to watch it. Release Date Apr 10, 2020 Written and Directed by Rose Glass Starring Jennifer Ehle, Morfydd Clark Synopsis The debut film from writer-director Rose Glass, Saint Maud is a chilling and boldly original vision of faith, madness, and salvation in a fallen world. Maud, a newly devout hospice nurse, becomes obsessed with saving her dying patient’s soul — but sinister forces, and her own sinful past, threaten to put an end to her holy calling. Posters Related Films 2016 The Witch 2018 First Reformed.

This reminded me a lot of Hitchcocks “Rear Window”. Free full saint maud full. Free full saint maud hospital. Free full saint maud school. Like the Green knight from King Arthur legend? I'm confused. Spoiler warning: the final line of this review discusses an image from the film’s ending. When it comes to horror, there is nothing more frightening than the human mind. This motto is brilliantly encapsulated in the British writer-director Rose Glass ’s debut feature Saint Maud. As with other great religious horror films – including Scott Derrickson’s The Exorcism of Emily Rose and Cristian Mungiu’s Beyond the Hills in the recent crop, and to some extent Brian De Palma’s 1976 classic Carrie – Saint Maud’s conjuration of wild daylight visions and spiritual torments skilfully blurs the line between a possible medical condition and outright madness, while also slyly suggesting that the film’s heroine may in fact be possessed. In this sense Glass borrows a page from psychoanalysis by portraying zealous spirituality as psychosomatic, but gives neither the religious dogma nor medicine a final say. UK 2019 83 mins Director Rose Glass Cast Maud Morfydd Clark Amanda Jennifer Ehle ► Trailer In the film’s opening, a young woman, Maud ( Morfydd Clark), has suffered an accident involving a patient while working as a hospital nurse. The mysterious incident is a mere flashback but its gory tableau, shrouded in sickly green colours, sets up Maud as a tormented soul with a shadowy past. The action then follows the tight-lipped, socially awkward Maud to her next job, providing palliative home care for a once-famous, now disabled ex-dancer, Amanda ( Jennifer Ehle). Maud’s dedication to Amanda is absolute, but she’s repulsed by Amanda’s lifestyle, which includes recreational drinking and drugs. Jennifer Ehle as Amanda Glass lavishes particular attention to how Maud and Amanda’s relationship escalates, veering from adoration to scorn. Glass’s script shows both women as multifaceted: Amanda, played with cool reserve and airy sophistication by Ehle, is smitten with Maud’s innocence and religious resolve, but also finds her offensively small-minded. Maud, brilliantly acted by Clark, is by contrast all vulnerability and pent-up tension: fawning in one scene, quick to leash out in another. Glass adds sexual jealousy into the mix, when Amanda is visited by a female escort, and Maud eavesdrops on the two, further blurring the line between God’s purported whisperings and tyrannical self-interest. This rollercoaster of tormented emotions, which feed into and off of dogma, is aided by Ben Fordesman ’s astute cinematography which makes the most of tight framing. The camera stays so close to the protagonists, particularly Maud, that it allows us little space for seeing her objectively. In the collapse of perspectival distance lies the film’s rich ambiguity. The close-ups obliterate the world, and lock us into Maud’s point of view, reinforcing the immensity of her feelings, and the extent to which these feelings overwrite and distort her sense of space and time, her notion of right and wrong. As the images grow from drab and prosaic to more vividly disturbing, Glass slowly chips away at our certainty about how to interpret the story. By the time she rolls out the spectacular finale, in which not just a body blazes on a steely beach but the whole sky, we have plunged so deep into ecstasy, we’re ready to empathise with Maud, perhaps even to dread her wrath.

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1 win & 1 nomination. See more awards » Edit Storyline There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature film debut, writer-director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly... Written by Toronto International Film Festival Plot Summary | Add Synopsis Motion Picture Rating ( MPAA) Rated R for disturbing and violent content, sexual content and language See all certifications » Details Release Date: 10 April 2020 (USA) See more » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Director Rose Glass, won the IWC Schaffhausen Filmmaker Bursary Award for this, which was presented to her by Danny Boyle. See more ».

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He literally cannot escape being Harry potter can he. Good Time is sooooooo underrated. US Premiere SAINT MAUD 2019, dir. Rose Glass, 83 min., UNITED KINGDOM ‹ › Brief Summary While caring for an attractive woman dying of cancer, devoutly religious nurse Maud develops an all-encompassing case of holy possession mixed with real-life obsession. Full Description Beautiful, reserved, and devout Maud needs a change of scenery and a new assignment to take her mind off the growing pains in her stomach. She takes a nursing job caring for Amanda, a former dancer battling stage three spinal cancer. Amanda is strong, enigmatic, and alluring, clearly struggling to leave her bon-vivant lifestyle behind in her final months on earth. Though the two women couldn’t be more different on the surface, they form an inexplicable bond that grows from mutual admiration to misguided resentment. All the while, a more powerful force starts to take over Maud, causing terrifying bouts of physical contortion in the vein of demonic possession that lead to a dramatic and alarming psychological breakdown. Could Maud truly be under the power of the Lord himself, or has she simply begun a sexual awakening for which she has no better explanation? Rose Glass displays a masterful grasp for the craft far beyond what one expects from a feature debut. SAINT MAUD is gorgeously shot, viscerally constructed, and endlessly enthralling cinema. Morfydd Clark imbues Maud with an uneasy air of desperation, fragility, and instability. It’s a remarkably versatile performance that pairs perfectly with Jennifer Ehle’s brazen interpretation of the headstrong Amanda. Throw in a haunting soundscape and a perfectly gradual sense of ever-increasing paranoia, and SAINT MAUD becomes an unforgettable entree into the paranoid psychological thriller canon. (LOGAN TAYLOR) With Director Rose Glass in Attendance for 1st half.

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• Creator: Dallas King
• Info: Film critic & writer. Author of @extnewyorkcity. Co-host of Filibuster & The A24 Project on @JoinNerdParty. Freelance 35mm Projectionist at @belmontfh
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